Powerful and reliable, Taurus is the first when it comes to harvesting the fruits of his labor. They love everything that is good and beautiful, and they are often surrounded by material pleasures. People born under the Taurus sign are very sensual and tactile. Touch is extremely important for them, both in business and in romance. Stable and conservative, Taurus is among the most reliable signs of the zodiac. Stubbornness is a trait that is forcing him to expel things to the end, in order to comply with the standards.
As an earth sign, Taurus can be overprotective of their loved ones. They are great in making money and they will stick to their projects until it is successfully completed.
Bulls are often known for their stubbornness, but it can also be interpreted as a complete commitment to the execution of tasks. This makes them excellent workers and great friends, because they are always there, no matter what.
He is loyal and doesn’t like sudden and unwanted changes.
Taurus is the most dependable sign of the zodiac. Although some may have very conservative views of the world or can be too fond of money and wealth, they have the ability to bring practical voice of reason in any chaotic and unhealthy situation. (Source: astrology-zodiac-signs.com)
Taurus, The Bull. Taurus is represented by a Bull in the Zodiac, and the bodies generated under this sign are usually short and stocky. They have a strong neck with the bump of amativeness well developed, large lobe of the ear, heavy jaws, full face; nose short and stubby. Dark eyes and wavy hair frequently give them considerable beauty. The eye of the Taurean may never dart bolts of fire such as those wherewith the Arian would annihilate his enemies; it is softer, but under provocation it becomes sullenly expressive of the passive resistance wherewith these people win their battles. It then marks the difference between the impulsive Aries and the stubborn Taurus. The inner phalange of the thumb is large and heavy, the calves well developed and the foot chubby. In walking the Taurean usually plants his heel first, and heaviest.
Taurus people are pre-eminently “thorough and steadfast” in everything they do: In love, in hate, in work or play, they persist in a given direction, and neither reason nor argument will turn them. They are verbose and argumentative in defense of their actions or opinions; they grasp new ideas slowly, with difficulty and conservatively, but once comprehended and espoused, they always remember what they have learned and defend their opinions to the last ditch.
The Sun rising in Taurus gives an unusually firm physique, and accentuates the Taurus pride in strength. The Moon, being the planet of fecundity, is exalted in this exceedingly fruitful sign; hence people with the Moon in Taurus have large families, particularly if the configuration is in the fifth house, for that designates children. (Source: rosicrucian.com)
Traditionally Venus is the governor both of Taurus and Libra. I don’t buy this and I’m absolutely sure that 12 signs represents 12 archetypes of 12 gods, respectively each god has its own planet. It’s the only thing that make sense and the imminent importance of the number 12 across the history of the human race speaks for itself.
Astrology don’t deal with Earth at all – which is odd because it’s the most influential and closes to us planet. We touch the Earth constantly, we walk on Earth and we are tied to it by gravity. The Earth delivers us food and provide us home.
Most of all signs Taurus are directly tied to the Earth.
In the Babylonian creation myth, The Enuma Elish, says that Ea, out of Kingu’s blood “fashioned humankind” for the “service of the gods”. These first humans should be Taurus! Taurus is reliable, hard working, patient and thorough. When focused on some project will firmly stick to it, no matter what. They are great working with their hands. They can be excellent workers when it comes to gardening, but they also can be great musicians. Working the land and singing goes pretty well together. Occupations that match this strong zodiac sign are agriculture, banking, medicine, education and construction.
Earth represents both fertility and creativity. The feminine nature of Earth makes them sensitive, romantic and open to arts and beauty.
Earth makes them grounded and stable. They detest sudden and unexpected changes. They are quite conservatives, but also very loyal and always willing to lend a hand of friendship. They love kids and appreciates the time spent with family. They also like to be surrounded by material pleasures, good food and luxury – all related to Earth and everything what the Earth can offer from sex to a nice house and a big car.
2nd House, House of Value (Wealth). Cultivation and growth. Money. Belongings, property, acquisitions. Material and immaterial things of certain value.
Second House rules money, the financial fortunes; it shows what the person acquires by individual effort and to a certain extent what use he will make of it.
The Creator archetype fosters all imaginative endeavors, from the highest art to the smallest innovation in lifestyle or work. Adverse to stasis, it can cause us to overload our lives with constant new projects; yet, properly channeled, it helps us express ourselves in beautiful ways. Creators, fearing that all is an illusion, seek to prove reality outside of their minds. A critical part of their quest is in finding and accepting themselves, discovering their true identity in relation to the external world. (Source: uiltexas.org)
The Number 10 – Earth, Active/Practical (Earth)
– Hard worker, determined, dependable, grounded, steady growth, persistent, loyal, patient, generous, householder.
– Materialistic, stubborn, obsessive, laziness, possessive, self-indulging.
Crowley: The Empress III (Daleth – 3, Venus). This card is attributed to the letter Daleth, which means a door, and it refers to the planet Venus. This card is. on the face of it, the complement of The Emperor; but her attributions are much more universal.
On the Tree of Life, Daleth is the path leading from Chokmah to Binah, uniting the Father with the Mother. Daleth is one of the three paths which are altogether above the Abyss. There is further more the alchemical symbol of Venus, the only one of the planetary symbols which comprises all the Sephiroth of the Tree of Life. The doctrine implied is that the fundamental formula of the Universe is Love. [The circle touches the Sephiroth I, 2, 4, 6, 5, 3; the Cross is formed by 6, 9, 10 and 7, 8.]
It is impossible to summarize the meanings of the symbol of the Woman, for this very reason, that she continually recurs in infinitely varied form. “Manythroned, many-minded, many-wiled, daughter of Zeus.”
In this card, she is shown in her most general manifestation. She combines the highest spiritual with the lowest material qualities. For this reason, she is fitted to represent one of the three alchemical forms of energy, Salt. Salt is the inactive principle of Nature; Salt is matter which must be energized by Sulphur to maintain the whirling equilibrium of the Universe. The arms and torso of the figure consequently suggest the shape of the alchemical symbol of Salt. She represents a woman with the imperial crown and vestments, seated upon a throne, whose uprights suggest blue twisted flames symbolic of her birth from water, the feminine, fluid element. In her right hand she bears the lotus of Isis; the lotus represents the feminine, or passive power. Its roots are in the earth beneath the water, or in the water itself, but it opens its petals to the Sun, whose image is the belly of the chalice. It is, therefore, a living form of the Holy Grail, sanctified by the blood of the Sun. Perching upon the flamelike up. rights of her throne are two of her most sacred birds, the sparrow and the dove; the nub of this symbolism must be sought in the poems of Catullus and Martial. On her robe are bees; also dominos, surrounded by continuous spiral lines; the signification is everywhere similar.
About her, for a girdle, is the Zodiac.
Beneath the throne is a floor of tapestry, embroidered with fleurs-de-lys and fishes; they seem to be adoring the Secret Rose, which is indicated at the base of the throne. The significance of these symbols has already been explained. In this card all symbols are cognate, because of the simplicity and purity of the emblem. There is here no contradiction; such opposition as there seems to be is only the opposition necessary to balance. And this is shown by the revolving moons.
The heraldry of the Empress is two-fold: on the one side, the Pelican of tradition feeding its young from the blood of its own heart; on the other, the White Eagle of the Alchemist.
With regard to the Pelican, its full symbolism is only available to Initiates of the Fifth degree of the O.T.O. In general terms, the meaning may be suggested by identifying the Pelican herself with the Great Mother and her offspring, with the Daughter in the formula of Tetragrammaton. It is because the daughter is the daughter of her mother that she can be raised to her throne. In other language, there is a continuity of life, an inheritance of blood, which binds all forms of Nature together. There is no break between light and darkness. Natura non facit saltum. If these considerations were fully understood, it would become possible to reconcile the Quantum theory with the Electromaguetic equations.
The White Eagle in this trump corresponds to the Red Eagle in the Consort card, the Emperor. It is here necessary to work back wards. For in these highest cards are the symbols of perfection; both the initial perfection of Nature and the final perfection of Art; not only Isis, but Nephthys. Consequently, the details of the work pertain to subsequent cards, especially Atu vi and Atu xiv.
At the back of the card is the Arch or Door, which is the interpretation of the letter Daleth. This card, summed up, may be called the Gate of Heaven. But, because of the beauty of the symbol, because of its omniform presentation, the student who is dazzled by any given manifestation may be led astray. In no other card is it so necessary to disregard the parts, to concentrate upon the whole.
Waite: The Empress III (3). A stately figure, seated, having rich vestments and royal aspect, as of a daughter of heaven and earth. Her diadem is of twelve stars, gathered in a cluster. The symbol of Venus is on the shield which rests near her. A field of corn is ripening in front of her, and beyond there is a fall of water. The sceptre which she bears is surmounted by the globe of this world. She is the inferior Garden of Eden, the Earthly Paradise, all that is symbolized by the visible house of man. She is not Regina coeli, but she is still refugium peccatorum, the fruitful mother of thousands. There are also certain aspects in which she has been correctly described as desire and the wings thereof, as the woman clothed with the sun, as Gloria Mundi and the veil of the Sanctum Sanctorum; but she is not, I may add, the soul that has attained wings, unless all the symbolism is counted up another and unusual way. She is above all things universal fecundity and the outer sense of the Word. This is obvious, because there is no direct message which has been given to man like that which is borne by woman; but she does not herself carry its interpretation.
In another order of ideas, the card of the Empress signifies the door or gate by which an entrance is obtained into this life, as into the Garden of Venus; and then the way which leads out therefrom, into that which is beyond, is the secret known to the High Priestess: it is communicated by her to the elect. Most old attributions of this card are completely wrong on the symbolism – as, for example, its identification with the Word, Divine Nature, the Triad, and so forth.
Eliphas Lévi: III (3) The Empress – L’Imperatrice. You should before all other things study and understand the sacred laws of Nature. Discern the Father Spirit and Mother Spirit, and recognise thesex aspect of the two breaths, and the soul of their movements; learn how the black female seeks the caresses of the white male, and why the white male does not disdain the dark woman. The white man is Day, or the Sun; and the black woman refers to Night, and the Moon. It is necessary to know the names and powers of the twelve precious jewels which are included in the crown of
gold referred to the Sun, and the names also which are allotted to the chief of the powers of the Moon. You will then require to be familiar with the keys of the Fifty Gates, the secret of the Thirty−two Paths, and the characters of the Seven Spirits.
These Seven Spirits are, Michael of the Sun, Gabriel of the Moon, Samael of Mars, Raphael of Mercury, Zachariel of Jupiter, Anael of Venus, and Orifiel of Saturn. These govern the world in successive order, and the completion of their seven ages of ruling power constitutes a Week of the Time of God.
You must learn also the plants, colours, perfumes, and musical notes which correspond to the seven planetary powers; and it is essential to retain those correspondences with the utmost exactitude. Thus when it is required to do perfect magical work, the procedure of each day is different in many particulars.
On Sunday you must wear a purple robe, a tiara, and golden bracelets; you must arrange about the altar or tripod, garlands of laurel, heliotrope, or sunflower; you must use as a fumigating incense cinnamon, frankincense, saffron, and red sandal−wood; you require at your right hand a golden wand set with a ruby or a chrysolite; and your operations must be carried out between one hour past midnight up to eight in the morning, or between three in the afternoon and ten in the evening.
On Monday you should wear a white robe with silver ornaments, with a collar of three rows consisting of pearls, crystals, and selenites; a tiara yellow with the letters of Gabriel in silver. The proper perfumes are those of camphor, white sandalwood, amber, and cucumber seeds; the garlands for the altar should be of armoise (query, mugwort, artemisia), evening primrose, and yellow ranunculus. Avoid with care anything of black colour; use no cup or vessel of gold, silver only, or clear white china or pottery. The same hours as before mentioned for the Sun, but use rather the night hours.
On Tuesday the colour of the robe should be fiery, or rusty, or of blood colour, with a girdle and bracelets of steel; the wand should be of magnetised steel; a sword may also be used and a consecrated dagger; garlands of absinth and rue; an amethyst and steel ring on the finger should also be worn.
On Wednesday the robe should be green or of shot silk many tinted; the necklet of pearls, or of glass beads containing mercury; the perfumes are benzoin, myrrh, and storax; the flowers for the garlands are the narcissus, lily, the annual or perennial mercurialis, fumitory, or marjoram; the precious stone is the agate.
On Thursday the robe of scarlet, a lamen of tin upon the forehead, bearing the symbol of Jupiter and the three words Giazar of Fire, Bethor of Water, and Samgabiel, also fiery; the perfumes for incense, ambergris, cardamon, grains of paradise, balm, mace, and saffron. The ring should contain an emerald or a sapphire; the garlands of oak, poplar, fig−tree, or pomegranate; the wand of glass or resin. The robe should be made of wool or silk.
On Friday the robe of azure blue, its decorations of green or rose colour, the wand of polished copper; the perfumes are musk, civet, and amber; crown of violets; garlands of roses interspersed with boughs of myrtle and olive; the ring ornamented by a turquoise. Lapis lazuli and beryl should decorate the crown or diadem. The operator should hold a fan formed of swan’s feathers, and should wear around his loins a circlet, being a copper plate on which is engraved Anael, with its sigil, and on a circle surrounding these the words Ave Evah; Vade Lilith.
On Saturday the robe should be black, or dark brown, with appropriate designs embroidered in orange−coloured silk. Around the neck should be worn a chain and lamen formed of lead engraved with the name Saturn and his sigil, with the additions of the words Almalec, Aphiel, and Zarahiel. The proper perfumes for the incense are scammony, aloes, sulphur, and asafoetida. The wand should be ornamented with an onyx stone, and the proper garlands are of ash, cyprus, and black hellebore. Upon the onyx on the wand there should be engraved with a consecrated tool, during the hours of Saturn, a figure of the double−faced Janus.