Neptune, God of the Sea, is the ruler of Pisces. In astrology, Neptune is considered a planet of inspiration, dreams, psychic receptivity, illusion, and confusion. Neptune rules spirituality, and all things subtle. A youthful, and sometimes naive, spirit characterizes those with a strong placement of Neptune in their natal charts.
On the up side, Neptune is associated with intuition and spiritual enlightenment. As well, it is a planet of mercy and compassion. The more negative manifestations of Neptune include deception, trickery, deceit, guilt, and addiction.
In the chart, the position of Neptune by sign will be shared with other people in the same generation due to Neptune’s slow movement in the heavens. By house, Neptune’s position shows where intuition, dreams, and psychic sensitivity come into play. Natives may be able to rise above the demands of the ego in the areas of Neptune’s influence.
Planets that Neptune contact are often colored by fantasy and dreaminess, and a vulnerable nature that may be susceptible to disillusionment. Here, we find hope that is sometimes unrealistic, a poetic and intuitive outlook, and compassion. (Source: cafeastrology.com)
Astrology: Neptune in Sagittarius (Fall).
As a fire sign, Sagittarius is unable to sit still for very long. That’s why Neptune in Sagittarius is able to find inspiration wherever they go – it’s the traveling that keeps them excited about life. They love meeting new people, learning new things and building upon their wealth of knowledge.
Neptune represents instinct, illusion, spiritual enlightenment, chaos, addictions, mystery, fantasies. For Neptune in Sagittarius, they thrive on a variety of exciting and uplifting experiences.
They are always on the go and will drop everything to take a surprise trip. They aren’t interested in day-to-day activities or responsibilities; they don’t have the time for such mundane things.
Neptune in Sagittarius people are always seeking the next adventure to keep their mind sharp and constantly expanding. They love a challenge and thrive on overcoming adversity. That’s part of how they remain so active. They go where they have never been before and explore the region.
The main thing Sagittarius Neptune zodiac sign has to be cautious of is overstepping boundaries. Because they are so knowledgeable about an array of subjects, they can also be quite opinionated. They can become obsessed with a cause or social issue that blinds them to others’ thoughts and ideas about the topic. (Source: sunsigns.org)
The number 6 – Neptune
– Compassionate, imaginative, engaged, sympathy for others, unselfishness, love of home and domestic affairs, devoted, adaptable, accepting, freely renders service to others.
– Self-righteousness, addict, oversensitive, indecisive, self-pitying, escapist, egotistical and susceptible to flattery, lazy.
Crowley: The Hanged Man XII (Mem – 12, Water). This card, attributed to the letter Mem, represents the element of Water. It would perhaps be better to say that it represents the spiritual function of water in the economy of initiation; it is a baptism which is also a death. In the Aeon of Osiris, this card represented the supreme formula of adeptship; for the figure of the drowned or hanged man has its own special meaning. The legs are crossed so that the right leg forms a right angle with the left leg, and the arms are stretched out at an angle of 60° so as to form an equilateral triangle; this gives the symbol of the Triangle surmounted by the Cross, which represents the descent of the light into the darkness in order to re deem it. For this reason there are green disks-green, the colour of Venus, signifies Grace-at the terminations of the limbs and of the head. The air above the surface of the water is also green, infiltrated by rays of the white light of Kether. The whole figure is suspended from the Ankh, another way of figuring the formula of the Rose and Cross, while around the left foot is the Serpent, creator and destroyer, who operates all change. (This will be seen in the card which next follows.)
It is notable that there is an apparent increase of darkness and solidity in proportion as the redeeming element manifests itself; but the colour of green is the colour of Venus, of the hope that lies in love. That depends upon the formulation of the Rose and Cross, of the annihilation of the self in the Beloved, the condition of progress. In this inferior darkness of death, the serpent of new life begins to stir.
In the former Aeon, that of Osiris, the element of Air, which is the nature of that Aeon, is not unsympathetic either to Water or to Fire; compromise was a mark of that period. But now, under a Fiery lord of the Aeon, the watery element, so far as water is below the Abyss, is definitely hostile, unless the opposition is the right opposition implied in marriage. But in this card the only question is of the “redemption” of the submerged element, and therefore everything is reversed. This idea of sacrifice is, in the final analysis, a wrong idea.
“I give unimaginable joys on earth: certainty, not faith, while in life, upon death; peace unutterable, rest, ecstasy; nor do I demand aught in sacrifice.”
“Every man and every woman is a star.”
The whole idea of sacrifice is a misconception of nature, and these texts of the Book of the Law are the answer to it.
But water is the element of Illusion; one may regard this symbol n evil legacy from the old Aeon; to use an anatomical analogy, it spiritual vermiform appendix.
It was the water, and the Dwellers of the Water that slew Osiris; it is the crocodiles that threaten Hoor-Pa-Kraat.
This card is beautiful in a strange, immemorial, moribund manner. It is the card of the Dying God; its importance in the present pack is merely that of the Cenotaph. It says: “If ever things get bad like that again, in the new Dark Ages which appear to threaten, this is the way to put things right.” But if things have to be put right, it shows that they are very wrong. It should be the chiefest aim of the wise to rid mankind of the insolence of self-sacrifice, of the calamity of chastity; faith must be slain by certainty, and chastity by ecstasy.
In the Book of the Law it is written: “Pity not the fallen! I never knew them. I am not for them. I console not: I hate the consoled and the consoler.”
Redemption is a bad word; it implies a debt. For every star possesses boundless wealth; the only proper way to deal with the ignorant is to bring them to the knowledge of their starry heritage. To do this, it is necessary to behave as must be done in order to get on good terms with animals and children: to treat them with absolute respect; even; in a certain sense, with worship.
Note on the Precession of the Aeons. “The Hanged Man” is an invention of the Adepts of the I.N.R.I.-J.A.O. formula; in the Aeon previous to the Osirian,that of Isis (Water), he is “The Drowned Man”. The two uprights of the gallows shewn in the Mediaeval packs were, in the parthenogenetic system of explaining and ruling Nature, the bottom of the Sea and the keel of the Ark. In this Aeon all birth was considered an emanation, without male intervention, of the Mother or Star-Goddess, Nuit; all death a return to Her. This explains the original attribution of the Atu to Water, and the sound M the return to Eternal Silence, as in the word AUM. This card is therefore specially sacred to the Mystic) and the attitude of the figure is a ritual posture in the Practice called “The Sleep of Shiloam”.
The Alchemical import of this card is so alien to all dogmatic implications that it has seemed better to deal quite separately with it. Its technical qualities are independent of all doctrines soever; here is a matter of strictly scientific bearings. The student will be prudent to read in connexion with these remarks Chapter XII of Magick.
The Atu represents the sacrifice of “a male child of perfect innocence and high intelligence”-these words were chosen with the utmost care. The meaning of his attitude has already been described, and of the fact that he is hanged from an Ankh, an equivalent of the Rosy Cross; in some early cards the gallows is a Pylon, or the branch of a Tree, by shape suggesting the letter Daleth – Venus, Love.
His background is an unbounded grill of small squares; these are the Elemental Tablets which exhibit the names and sigilla of all the energies of Nature. Through his Work a Child is begotten, as shewn by the Serpent stirring in the Darkness of the Abyss below him.
Yet the card in itself is essentially a glyph of Water; Mem is one of the three great Mother Letters, and its value is 40, the might of Tetragrammaton fully developed by Malkuth, the symbol of the Universe under the Demiourgos.
Moreover, Water is peculiarly the Mother Letter, for both Shin and Aleph (the other two) represent masculine ideas; and, in Nature, Homo Sapiens is a marine mammal, and our intra-uterine existence is passed in the Amniotic Fluid. The legend of Noah, the Ark and the Flood, is no more than a hieratic presentation of the facts of life. It is then to Water that the Adepts have always looked for the continuation (in some sense or other) and to the prolongation and perhaps renovation of life.
The legend of the Gospels, dealing with the Greater Mysteries of the Lance and the Cup (those of the god Iacchus lao) as superior to the Lesser Mysteries (those of the God Ion=Noah, and the N-gods in general) in which the Sword slays the god that his head may be offered on a Plate, or Disk, says: And a soldier with a spear pierced his side; and thereforth there came out blood and water. This Wine, collected by the Beloved Disciple and the Virgin-Mother, waiting beneath the Cross or Tree for that purpose, in a Cup or Chalice; this is the Holy Grail or Sangreal (Sangraal) of Monsalvat, the Mountain of Salvation. [Grail (gréal) actually means a dish: O.F. graal, greal, grasal, probably corrupted from late Latin gradale, itself a corrupt form of crater, a bowl.] This Sacrament is exalted in the Zenith in Cancer; see Atu VII.
It is most necessary for the Student to go round and round this Wheel of symbolism until the figures melt imperceptibly the one into the other in an intoxicating dance of ecstasy; not until he has attained that is he able to partake of the Sacrament, and accomplish for him- self-and for all men!- the Great Work.
But let him also remember the practical secret cloistered in all these windswept corridors of music, the actual preparation of the Stone of the Wise, the Medicine of Metals, and the Elixir of Life!
Waite: The Hanged Man XII (12). The gallows from which he is suspended forms a Tau cross, while the figure – from the position of the legs – forms a fylfot cross. There is a nimbus about the head of the seeming martyr. It should benoted (1) that the tree of sacrifice is living wood, with leaves thereon; (2) that the face expresses deep entrancement, not suffering; (3) that the figure, as a whole, suggests life in suspension, but life and not death. It is a card of profound significance, but all the significance is veiled. One of his editors suggests that Éliphas Lévi did not know the meaning, which is unquestionable nor did the editor himself. It has been called falsely a card of martyrdom, a card a of prudence, a card of the Great Work, a card of duty; but we may exhaust all published interpretations and find only vanity. I will say very simply on my own part that it expresses the relation, in one of its aspects, between the Divine and the Universe.
He who can understand that the story of his higher nature is imbedded in this symbolism will receive intimations concerning a great awakening that is possible, and will know that after the sacred Mystery of Death there is a glorious Mystery of Resurrection.
Eliphas Lévi: XII (12) The Hanged Man – Le Pendu.
The number Twelve completes a cycle, and this highly mystical Trump represents the Completion of the Great Work. This startling design might be also represented by a cross above a triangle within a Tau, that is, by four multiplied by three and enshrined in a Universe.
The pack of Tarot Cards, otherwise the Book of Taro − which word is an anagram of Rota, a wheel or cycle − consists in truth of a magical, hieroglyphic and kabalistic alphabet, to which are added four decades, and four quaternions, which enshrine the mystic significance of the Wheel of Ezekiel. The true aim of the Great Work is to volatilise the fixed after having accomplished the fixation of the volatile.
By a mystical rectification and a subsequent sublimation is the Universal Medicine to be obtained, and so is also the art of the Transmutation of metals; by which art indeed even the most gross and impure substances may be at once changed into pure and living gold. But no one will succeed in this magical transmutation until he has learned to despise earthly riches, and is content with the holy poverty of the true adept. So, then, if any one attains to this sublime secret, he will treasure it with almost superhuman care, and it will so never be divulged to any other human being; it must be self attained. The secret matter of the Philosopher is composed of volatilised Salt, of Mercury which has been fixed, and of purified Sulphur; this perfected Matter is the Azoth of the philosophers. The Salt is only to be volatilised by condensation from the Seven rays of Sol, which are the respective soul essences of the seven metals. The Mercury is fixed by saturation with the Solar essence. The Sulphur is purified by the heat of the Seven luminous rays.
When a man is fully initiated he has a knowledge of all those processes, and he knows that he holds these secrets under the penalty of death. The Taro can preserve you from the danger of such punishment, by rendering you incapable of the commission of such a crime. Remember the histories of Prometheus and Tantalus. The former stole the sacred fire from heaven and transferred it to the earth. The latter violated the privacy of nature to seize the secrets of divinity. Remember also the fate of Ixion, who attempted to ravish the Queen of the Sky. Remember also the Cross and the Stake. Ponder over the long martyrdom of Raymond Lully, the inconceivable sufferings of Paracelsus, the madness of William Postel, the wandering life and miserable end of Cornelius Agrippa. Love God, gain wisdom, and preserve unutterable silence.